Justice for Mrs. Bennet?
Dolly Alderton is wrong
Nerdy literature newsletter. Helping you make the most of your reading.
Dolly Alderton is wrong
Last week, the day after the 300th anniversary of the publication of Gulliver’s Travels, I sat down with my colleague Shruti Rajagopalan to discuss Swift’s great novel.
Locke in his portraits often seems sad, and it’s genial to think that he plays in his philosophy.
As you have no doubt seen, in the trailer for the forthcoming Netflix adaptation of Pride and Prejudice, by Dolly Alderton, the famous opening line is spoken by Mrs Bennet.
Coriolanus and the stirring world
some speculations
And a suggestion for Daunt Books Publishing
Chocolate gravy, Civil War, Piggly Wiggly. My newfound love of the Mid-South.
Richmond, Williamsburg, Yorktown, Jamestown
“This book is a disgrace.”
The New Dark Ages PLUS Shakespeare
My new essay for Liberty Fund
Eros need not be expressed sexually.
Comments from a recent interview
Poetry by Heart, V
Repost for paperback release
I read Sense and Sensibility again
Some autumn poetry
JRR Tolkien and CS Lewis used to regularly share a pub table in Oxford to discuss their work.
Read the canon.
Here’s the Barbara Everett quote about “texts” which I could not find when I wrote my recent piece about literary criticism. From her review of Carpenter’s Auden biography in the LRB. My thanks to Sean Keilen for sending it to me. (Sean has a new book about Sh…
I am unashamed to call him a great man, to say that he is my hero. I can never write of him without strong feeling.
Among the people who blame phones for the “reading crisis” and the associated decline in educational outcomes, the PISA results are, in my view, somewhat misunderstood.
what are the implications of misalignment?
The trouble with literary criticism—whether it is done by school children or professors or freewheeling writers—is that it cannot be defined.
The New Dark Ages, by James Marriott
Oh my god I loved this film.
The history of the novel in Britain
Carefree mind, all the time, never blue
A new book from Jeanna Smialek